Meet Troy Conrad, Filmmaker and Photographer

Troy Conrad is an award-winning filmmaker and the creator/co-producer of improvised stand-up show Set List: Stand-Up Without A Net. He has photographed comedy in seven countries, and his images for the upcoming Comedy Central series Roast Battle have additionally been published in Playboy.

Samples from the series can be found via the Instagram hashtag #hallseries and at humansofcomedy.com.

A photo posted by Troy Conrad (@troyconrads) on May 6, 2016 at 8:51am PDT

1. How did you come up with the idea for the Hall Series?

Last August at The Comedy Store in Hollywood, I took a picture with a fisheye lens of the all the headshots on the wall, and something about it looked very different... it felt like I was surrounded by these pictures on the wall. A couple weeks later, Brian Moses was walking through the hallway and I took his picture, and it looked really cool. Then I wanted to see what it looked like as a portrait. Joey Diaz was the first person I asked to stand in the hallway and pose. I loved how he looked. To me, it felt like the pictures of the comics surrounding him were giving him the nod, pushing him forward. I'm very honored that The Comedy Store liked these shots enough to make them a part of the club. Starting on May 10th, they will be on permanent display in the entrance to the Main Room.

2. What sets the photos in this series apart from other portraits?

The thing that gives these pictures a different feel is the imagery surrounding each comic in the shot. There are vintage headshots on the walls of legendary comics--some of those photos go back as far as 30 or 40 years. There is a feeling of reverence being in that hallway, and these portraits seem to capture that feeling of reverence as if the viewer is there.

3. How many photos have you taken for the Hall Series so far, and what are the plans for expanding on the series over time?

I’ve taken over 80 photos of Paid Regular performers at the Comedy Store, and the collection is growing all the time.

4. What other projects have you done involving filming and/or photographing comics and comedy?

I started as a filmmaker, and directed a film called Runyon: Just Above Sunset starring Eddie Pepitone which won awards at the two festivals it was submitted to. I created and co-produce the improvised stand-up show, Set List: Stand-Up Without A Net. With the show, Paul Provenza and I have traveled the world, and I've photographed the show as well as other shows in seven countries. I've also done a lot of photos of comics in New York and Los Angeles. When I saw Roast Battle at the Comedy Store, I was hooked from the beginning. I knew someone needed to be capturing stills for that show, which is unparalleled worldwide for its high level action. I'm there for that show every Tuesday night.

A photo posted by Troy Conrad (@troyconrads) on Apr 29, 2016 at 4:34pm PDT

5. What makes The Comedy Store a vital and interesting venue after 40+ years?

The Comedy Store is vital because of its integrity. There are three rooms that are bustling every night. It's run incredibly well right now. It's a place that is welcoming to comics, and very hard to get into as a Paid Regular performer. But everyone wants to be there. There is so much personality there that makes it interesting. Roast Battle is so unique. Ari Shaffir's "This is Not Happening" is still running there. Joe Rogan is there all the time. Chris Rock came in to practice for the Oscars. Dave Chappelle pops in, and Louis CK drops in. Last night John Bishop just came in from the UK and did his first show in the US in the Main Room. I love watching Joey Diaz. He's one of the real humans of comedy. He's so unfiltered and raw, and is pure joy to watch. He's raised the bar for so many comics there.

The Paid Regular Hall Series Exhibit debuts at The Comedy Store on Tuesday, May 10th 2016 from 8 p.m. until 10 p.m. and will be on permanent display thereafter. More info at www.thecomedystore.com

Thanks, Troy!

Meet Thomas Moulson of Fruit Tank

Fruit Tank is a website that showcases creative works from unknown talent in hopes of getting the artists discovered and selling their work. The site currently features art, music, video, photography, and writing. Learn more at http://www.fruittank.co.uk, or click here to learn how to submit your work.

1. How did you choose the name Fruit Tank for your project, and what does the name signify?

The name was originally chosen for its mix of the words "Fruit bowl" and "fish Tank." This meant we could have sub companies for the individual mediums, mixing fruit with sea life. For example, music would be under Cherry Crab, films under Strawberry Squid, etc. That has been put on hold because it's rather confusing. But the name has stuck, mainly because it's unique and sounds quite good. It's not the best name origin story.

2. How does your site help creative people get their work out there?

Once the site gains more and more traffic and popularity, we hope that it'll become the go-to place for creative content. Eventually we are going to do member pages where creatives can host their contact info (only accessible for other members) so people can collaborate with one and other. For example, a filmmaker may go to the site and find music they really like and may want to contact the musician and get them to do a soundtrack. Or a musician may want an artist to design their record cover. It will just become the HQ for creative content. The dream is that record labels, production companies, publishers, and galleries will come to Fruit Tank to scout out new talent.

3. Would you tell us a little bit about the compilations that you're planning to put together with the work that people share with you?

Every few months, we will allow visitors of the site to vote for their favorite creative content on the site, and then the top creations will be distributed/sold. Music will organized into an album and distributed onto iTunes, Spotify, Google Play, and 100+ other music sites. Art and photographs will be compiled into a graphics book and possibly showcased and privately held galleries, writing will also be compiled into books, and the the films will be shown at pop-up, drive-in film festivals in major cities. Sometimes there will be themes; for example, for Valentine's Day, we will have a call for content such as love songs, romantic poetry, and romantic films.

4. I like that you cite Andy Warhol as an inspiration for Fruit Tank. What can we learn from the ways that he got his own art into the world, and the ways he collaborated with and/or supported other artists?

Andy Warhol was a true one of a kind person; he knew how allow people to nurture their talents and really express themselves without boundaries. He had a place called "The Factory" where anyone was welcome; people could just walk in and join in. I can imagine it was such a creative environment filled with inspiration. He recognized true talent: he made Jean Michel Basquiat very famous, and he catapulted The Velvet Underground into fame. He knew what the world expected and always did the opposite--he knew controversy sparked a reaction, and therefore got people talking about his work. He understood what it meant to be an artist, and he knew how to get the best out of people.

5. What else would you like readers to know about Fruit Tank?

We just want people to be known for their talents. There are some really really talented people in the world but nobody ever knows them, because it's so hard to get discovered nowadays--you need to pull so many strings to get recognition. Talent alone isn't enough nowadays; you need the correct personality and the right friends. That's just wrong. Talent is talent, and we want to show off that talent. I'm a fan of the lifestyle of the 60s and 70s because everyone appears to be so free and open to self-expression. The streets were ruled by artists. However, in the present day, everyone is so restricted by boundaries. We want creative people to show off their talents and get discovered the right way, for their amazing gifts.

Thanks, Thomas!

Meet Betty, Photographer and Mentor

Betty is a retro pin up and modern boudoir photographer based in the Tampa, FL area since 2009. She is the owner of Bodacious Betty Pin Up Photography, which specializes in glamor portrait photography from the 1940-50s era. Betty believes any woman can be made to both look and feel gorgeous. Her mission is to bring out the pin up starlet in every gal!

Publication credits include the cover of Pin Up America magazine, Retro Lovely Kat Club Holiday edition 2014, Latina Pinups, Delicious Dolls, Surreal Beauty magazine, Cat's Pajama magazine, and the 2014 and 2015 calendar for Strickland Vintage Watches.

Recently, Betty had the pleasure of being interviewed by Marie Grace Berg for Today's Leading Women, as well as P.K. Spearman for Living Large.

1. How did you first become interested in pursuing photography as a career?

I became interested in pursuing photography as a career after I had my own pin-up photos done. I was felt so empowered and confident that I wanted other women to experience the same feelings.

2. What inspired you to specialize in retro pin-up work?

I've always loved the look of women in the 1940s and 50s. They were so feminine and seemed so glamorous and polished.

Also, the pin ups of that time period were sexy, without being salacious. There was a playfulness in them.

3. What are some of the things that you do to create a unique and comfortable experience for a woman who hires you to shoot a series of pin-up photos?

I like to consult with my clients before the session, either in-person or over the phone, to get an idea of what they envision for themselves. We talk about themes, wardrobe ideas, and what she may be insecure about body-wise.

When she comes in for her session, she is able to relax while getting hair and make-up done and then I am able to guide her into poses that are the most flattering to her.

4. Would you tell us a little bit more about your coaching program for photographers?

Over the years, I've developed friendships with quite a few other photographers, and many of them either struggle to make a living, or have a day job to pay the bills because they don't how to adapt to an industry that has been radically changed by the introduction of the affordable DSLR camera.

I developed a comprehensive plan to help struggling photographers work less for more money, and help them educate their clients about photography. All photographers know that good photography requires more than just a good camera, but they don't know how to attract clients that understand that as well.

I do offer a free consultation in addition to a free report with ideas to give photographers a jump-start on making changes that will start bringing in more income without adding to their workload. It can be found here: http://www.bodaciousbettyfl.com/makemoremoney.

5. I think that it's always a challenge to pursue a career in the arts in our society! What is some of your advice for other artists who want to develop a career that reflects their artistic interests and abilities?

This probably applies to anyone looking to start their own business, but I'd say, above all, be persistent. If something isn't working, brainstorm and try other methods.

And second, make a list of the skills you are good at and think of ways you can utilize your talents and skills to bring in money in multiple ways. For example, a photographer is not just a photographer, but also a photo editor. A photographer looking to bring in additional income during downtime can edit photos as a service to other photographers looking to outsource that part of their job.

Thanks, Betty!

Introducing Track Kit, an App and Website to Share Travel Routes

Track Kit is a website and app with a clever idea behind it. Like many good ideas, it takes something familiar (online maps) and combines it with something unique: the ability to create your own "tracks" on the maps and include original photos at points of interest along the route that your track follows. It lets you record, upload, edit, and share GPS tracks.

It also has a built-in tool that lets you share your tracks to Facebook, which I think is great because really Track It gives you a nice-looking, visual way to share your experiences with other people.

You can track all sorts of trips. Maybe you want to track a long road trip. Maybe you want to track a walking or running path you've come up with by exploring the different streets in your neighborhood. I really like how you can add photos to your track to show people what you've seen along the way. Maybe there's something really cool but hidden--you can point it out on your track so that others can find it, too.

When you use the "upload track" feature to share your route, you can select from different options, including driving, walking, hiking, swimming, ATV, and geocaching. You can also explore tracks that others have uploaded by searching for specific places or just browsing--there's an editor's choice feature, too, that lets you look at a selection of cool tracks.

There are other cool tools to explore, too, like adding videos to your tracks and utilizing Google street view. Say you wanted to keep a blog where you recorded your travel experiences or your hikes or your bike adventures--you could embed your tracks from Track It in your blog.

To learn more, check out the Track Kit website: Track-Kit.net. Or learn more about the Track It apps for iOS and Android here: http://www.lifewaresolutions.com/trackkit_screen.html.

A Shared Post about Photography from AtContent

As we head into winter, I think these tips for fall photography are still excellent overall advice for shooting great photos outdoors.

You can feel it coming… the days are getting shorter, the air is crisper and the leaves are starting to turn. Fall is upon us and with it one of the best times of year to work on your landscape photography. Below you will find everything you need...

Meet Luca Di Fonso, Fashion and Fitness Blogger

Luca Di Fonso is 24 years old and passionate about fashion, traveling, and fitness. After finding success on Instagram (www.instagram.com/lucadifonso), he started a blog to share his passions in a better way, hoping that people can find some useful tips and enjoy seeing the world through his eyes.

1. How did you first become interested in posting on Instagram?

I started because of a bet with a friend of mine. Then I saw that people were interested in seeing photos of what I do in my daily routine, so I continued to post.

2. What do you think made your Instagram feed so popular?

I think probably it gained followers because people can see a lot of different things rather than only selfies! I try to keep the attention of my followers by posting about different topics.

3. What do you find the most interesting--and the most challenging--when it comes to capturing fashion through photography?

I started just a few months ago, so I'm not an expert, but a lot of people asked me, "How can you be so serious during the shoots?". Believe me when I say that the first time, it was difficult. But when you see all the people around you who are working really hard--such as photographers, stylists, and so on--you understand that you have to be very professional, too.

Every shoot is different because you have to help the photographer to capture the right soul of the brand. You know, posing for a street style brand is different than posing for a tank top brand.

4. Why did you decide to start your own website, and what will visitors find there?

On my website, you can find fashion tips for men and women, and a section showcasing the most stylish people I've seen on the street. You can also find a section talking about fitness where you can find diet tips and gym schedules/routines for men and women, too. I also have a lifestyle section where I discuss topics like music, food, and restaurants. Finally, I have a travel section where I post pictures and videos of the places I visit.

5. In the next year or so, what projects do you hope to be working on?

I hope that everything goes well and that I can continue to work with a lot of fashion brands, lifestyle brands, and travel agencies in order to reach my goals. But who knows?

Please check out my site at www.lucadifonso.com. Thanks, Luca!

More Photos by Tom Potter

After my recent post about Tom Potter, a photographer based in Colorado, I found myself thinking about his work and wishing I'd shared more samples of his photos. I suppose it's partly because his work makes me nostalgic for the two road trips I've taken to Colorado so far! It's also because I like his work, and I like to spread the word about indie artists on the blog.

So here are a few more photos of Tom's. Be sure to check out his website, http://tompotterphotography.com, to see even more.

Introducing Tom Potter, Photographer

I've been to Colorado on vacation more than once, and the natural environment there is just plain beautiful--there's really no better way to describe it! From the mountains to the rivers to the plants and wildlife, there are plenty of subjects worthy of contemplation. And that doesn't even mention the incredible rock formations.

Tom Potter is a photographer who lives in Colorado and loves to photograph landscapes, wildlife, and basically everything having to do with nature. He grew up in New York but lived amidst the scenery of Colorado for almost 20 years now. He has studied at the New York Institute of Photography and Brooklyn College, and continues to expand his work through self-study. His work explores the year-round beauty of Colorado and offers a way to bring a bit of that beauty into your home.

Tom began by shooting on film but became interested in digital photography. On his website, he sells prints of his work on canvas as well as fine paper. If you're looking for photos of Colorado taken by someone who truly loves the local surroundings, you'll want to check out Tom's work. His photos of animals are wonderful, too!

He also accepts customer requests to shoot specific locales within 100 miles of his home; you can contact him for specific details if you want to discuss a custom piece.

Meet Gayle Nielsen, Hypnotherapist and Artist

Gayle Nielsen is a Master Hypnotherapist based in Wisconsin who works with clients using cutting edge consciousness technology to shift their reality. Her life is her art--helping everyday people live their lives in new and more joyful ways. Her photography and digital art inspires both herself and others with new perspectives and possibilities. Visit Gayle online at perfectspirit.com, as well as on Facebook. The photos in this post were taken by Gayle.

1. How did you first become interested in doing hypnotherapy work?

I've been interested in the power of our subconscious mind and in helping others ever since I was a child. When I had the opportunity to make a career change, after years of working in a technical field for a large corporation, I pursued the training in hypnosis and other holistic modalities that allow me to really help my clients now.

2. What are some issues that you help clients address through hypnotherapy?

In addition to the usual things like smoking cessation, weight release, and stress relief, I love to do regression sessions with clients to help them resolve long-standing issues that prevent them from being truly happy with the life they are creating. I feel great when a client is totally amazed with the results we achieve together.

3. What is Matrix Energetics®, and how does it help people?

While it's not really possible for me to define what Matrix Energetics® is, I can say that I've learned a set of tools that make it easier for me to access my natural abilities, the same abilities that each of us has, to shift reality in what seems to be a miraculous way. It has been my experience that clients have had positive changes in relationships, careers, and health after an ME session. I've seen this in my life as well! And it happens in what seems to be a natural way, as if that wonderful thing that just happened has always been there, but just now is the client noticing it!

4. Reading your blog, it seems to me that your interest in taking photos also approaches photography as a metaphor. Would you tell us a little more about this?

Maybe, yes, a metaphor for life. When I notice something interesting and decide to photograph it, I’ve just taken a representative moment of that thing, from my perspective, with that specific lighting, through the lens of my awareness, to create a unique experience that I may be able to share with others. I share the symbol of that thing...not the thing itself. Isn't that what we do with our lives? We choose a series of unique moments of awareness, influenced by our seeming past, moving into the future, keeping the ones we want and discarding the ones we don't to experience, in the end, a complete work of art called our life. Sharing with others--optional.

5. What do you see as the relationship between art and healing?

I don't really like the word "healing." It assumes that there is a state of being "not well" from which we need to be healed. I don't believe that. What I believe is that we subconsciously, unconsciously, are choosing to experience everything in our life. Pain may be useful as a signal to change something. Creating art is an intentional process, as creating our life may be. It's a sharing of perspective and observations. The deepest pain has created some of the most meaningful transformations. Life IS art. Art IS life.

Thanks, Gayle!

Meet Michael, Owner of SnapMarket, a Marketplace for Royalty Free Photos

SnapMarket is the marketplace for some of the cheapest, most flexibly licensed royalty free photos. SnapMarket has the highest quality photos, images, and illustrations, all from as little as $1. SnapMarket also pays their contributors some of the highest commissions in the micro-stock world. Check out this link to learn more about how to sell your photos on SnapMarket.

1. What gave you the idea to start SnapMarket?

As a web and graphic designer myself, I found that I was always purchasing royalty free stock photos and usually spending a fortune. The idea came about when I spent over $600 worth on photos for a client's website and it got me thinking: there must be a cheaper way to purchase good quality images. I had a good look around and could not find any stock photo websites that were offering high quality photos at a cheap price with flexible licensing terms, so this is when I decided to start SnapMarket.

2. What are the benefits your site offers for webmasters, designers, and other people who need to buy royalty free photos?

The benefits that SnapMarket offers are much cheaper images (from as little as $1), very flexible license terms, and no minimum spend. A lot of the other stock photo websites I have dealt with require that you sign up with them for a subscription or buy copious amounts of credits, even if you only needed just one single image.

3. How do you keep your prices so affordable?

We can keep our prices affordable simply because of repeat business. Our photos are high quality yet very affordable; this is what keeps our users returning and gets new users on board every single day. A website like SnapMarket is quite expensive to run, but we felt we needed to offer something different from all of the other overpriced, tightly licensed micro-stock photo websites.

4. Why do contributors like sharing their work through SnapMarket?

Contributors love sharing their work through SnapMarket because we pay some of the highest commissions in the micro-stock world, our website is user friendly, and we get our contributors' photos sold day in, day out.

5. What are some qualities that make a great photo for the web, in your opinion?

I feel that any photo can make a great photo for the web; it really just depends on what people are looking for. Obviously these photos must be high quality and convey the correct message to the target audience. The image size should also be scaled for fast loading times yet still be of reasonable quality for viewer enjoyment.

Thanks, Michael!

Meet Will and Mark, Commercial Photographers

Will and Mark are two commercial photographers from Dorset and Bournemouth based on the south coast of England. They offer a range of photography services including lifestyle, people, food and drink, interiors and architecture, plus products and pack-shots. Below they share with us about how they work and how they came to setting up their commercial photography business.

1. Why is it important for businesses to hire a commercial photographer?

Images are so important when it comes to first impressions, and also actually selling something. Our commercial photography services are predominantly for clients in the Dorset and Bournemouth area of the United Kingdom, although on many occasions we are required to travel throughout the country.

Our clients range from property developers, restaurants, watch manufacturers, and large retailers. All of them come to us because we manage to capture the moment which places their product or service in the best possible light--and that's our job at the end of the day as commercial photographers--you can see some examples on our commercial website.

2. How do you decide where to take photos for a shoot for a particular client? In other words, are there criteria that help you decide, for example, when to do interior photos and when to go outside on location?

Many of the clients we work with are retail businesses or are manufacturers. Because of that we need to take shots inside the studio. When we shoot in our studio, then the real trick is in the lighting. Any commercial photographer will tell you that you need to understand how light works in order to get the best photographic results. There's also a need to understand the composition and form so you can make the client's product look as good as it can be.

We also do need to go out on location, but this is primarily for clients where their product is used in an outdoor scenario, or our architectural clients. Many of them need great images of their property to help with the sale, so half of the shoot will naturally be outdoors, and the rest will typically be interior shots of the building.

If we can do a plug here, then please head on over to our website and check out the interiors and architectural page which has some of our most recent work examples.

3. What is your background in photography, and how did you decide to become a commercial photographer?

It's at university that we actually met around 10 years ago, but before then had both been keen photographers. Whilst we both had differing methods, styles, and types of photography equipment, we had a connection and thought that we would look at setting up a commercial photography company together.

Since then it's been a successful partnership for both of us and has turned into a solid commercial photography business and partnership that is creative and brings in a profit. We work hard to achieve that.

4. For someone who is looking to hire a photographer for a project, what advice do you have to help ensure a good partnership?

Make sure that it's someone you can get along with! We pride ourselves on our communication and two way approach. We listen to what the client wants from their photography project and take on board their requirements. It's then up to us to impart our professional opinion based on our years of experience as commercial photographers. Any prospective clients can check out a video we've just placed on our YouTube channel about how both of us work as commercial photographers in Dorset. Hope you like it and thanks for the interview!

Thanks, Will and Mark!

Excerpt from Broken Shells by Elizabeth Curcio

In her book, Broken Shells: let adversity create beauty in you, Elizabeth Curcio presents a collection of photographs she took of broken shells that she found, published alongside inspirational words of wisdom, including quotes from Scripture.

The photos and text below are copyright Elizabeth Curcio, 2009.

As I was walking along the shore one day, I asked the Lord if I could find a pearl in a shell. Instead, He gave me words of wisdom and broken shells. --- When you are broken, a mosaic I can use. Your adversities are My universities. Think of your weaknesses as gifts.--- I love finding shells but I rarely find one that is not broken. So I started looking for broken shells and found many. Broken shells worn down by adversity, pounded by waves and weather; rounded edges and beautiful. Let adversity create beauty in you.

My grace is sufficient for thee, for my strength is made perfect in weakness. 2 Cor. 12:9

No mention shall be made of coral, or of pearl, for the price of wisdom is above rubies. Job. 28:18

Broken Shells is available for purchase in paperback format on Amazon.

Meet Mario Fazekas, Wildlife Photographer and Author

Mario Fazekas is a wildlife photographer and the owner of Kruger-2-Kalahari.com. He has spent over 700 days on photo safaris in African National Parks such as the Kruger Park, Kgalagadi, and Pilanesberg in South Africa; Etosha in Namibia; plus Ngorongoro Crater and Lake Manyara in Tanzania. Mario is the author of the Photographer's Guide series of how-to photo e-books: The Photographer's Guide to Etosha National Park and The Photographer's Guide to the Pilanesberg National Park, both of which have been rated A+ by Apogee Photo Magazine.

1. When did you first become interested in wildlife photography, and how have your interests evolved over time?

My wife dragged me kicking and screaming to the Kruger National Park back in 1995 and from that initial trip as a day visitor, we have visited the various southern African parks and game reserves every year for our annual vacations and free weekends!

I started out with a Kodak point and shoot camera, realized that was insufficient and then progressed to a Minolta SLR and finally a Nikon DSLR system.

Initially I was interested in photographing mammals, such as the "big-five" as they are large and therefore easier to shoot, but I have now developed an interest in macro photography, photographing birds in flight and also landscapes.

2. What are some of the unique challenges in taking safari photographs?

In order to return home from an African safari with impressive images four things have to happen:

• You need to find the subjects! If you cannot locate animals there will be nothing to photograph.
• Be prepared to get up early! If you want to capture landscape and animal photographs with impact, you need to make the most of the blue hours (the hour before sunrise and the hour after sunset) and the golden hours (the two hours after sunrise and the two hours before sunset). You can sleep in at home, but while on safari you must be up and ready when the animals are most active and the light has the most impact and mood.
• You should know a bit about your subjects. You don't have to be an expert in African animals, but know a little about their habitats and behaviors.
• You need to be aware of your position in relation to the subject and the light source. Photography is known as "painting with light," so you must use your light source wisely.

3. What inspired you to share your knowledge in e-book format, and what has the response been to your books?

In 18 years we have captured over 300,000 images on film and digital. We started going through them a few years back and realized that our nature photographs had improved consistently year after year and that we had learned many, many lessons that would also help other photographers improve their skills.

We were going to publish traditional books but the publishers were so dictatorial that we decided to self-publish.

In our e-books, or site guides as they are also known, we share our proven strategies for finding elusive and/or exciting animals such as leopards, wild dogs, cheetahs, etc. We also provide advice on how best to use your photo gear, animal hot spots, advice on lighting at the waterholes and camps as well as photographing at night--basically, solutions to the challenges that most wildlife photographers will face while on safari.

We realised that there was a gap in the book market as there are many coffee-table books with lovely wildlife images and there are also many books on general photography, but not much providing detailed advice for visitors to specific national parks. A lion in Botswana's Chobe National Park may have different behaviors to an Etosha lion that in turn may have different habits to a Kruger Park lion in South Africa and so forth.

Our e-books are for all levels of photographers, from amateur to professional and for self-drive or guided safaris. The plan is that when you arrive at an area covered in these e-books, you'll know where to go when and what to expect and you will know what equipment and techniques will be most effective. Even field guides tell us that they learn a lot from these books!

What usually happens is that visitors waste valuable time getting to know the parks and animals and by the time they start getting "acclimatized" to the animals' current locations and habits, it's time for the visitors to go home! These e-books will prepare the visitor so that from the first day you arrive at the parks, you can be photographing the key animal species like a veteran.

The response to our e-books has been great! We have converted the Etosha e-book to Amazon's Kindle format and are in the process of doing the same for the Pilanesberg site guide, so people have a choice of buying either the PDF or Kindle version. We are finalising our Kgalagadi and Kruger e-books that will be available at the beginning of 2014 and we already have a list of people wanting to purchase them!

4. What do you suggest that photographers do to brush up their photography skills at home before going on safari?

Many amateur and even advanced photographers think that new photo gear is the answer to improving their photographs. We agree that photo gear is important but it is only one half of the solution--the other half is photographic vision or creativity. Many photographers become obsessed with "how" they capture the image (photo gear) and exclude the "why" (the photographic vision) and that is to the detriment of the "what" or end result.

Therefore my advice to photographers is that they should firstly read the key parts of their camera manuals and then actually go and use their cameras at the zoo, at home, or at an air show. We are amazed at how many people buy a new camera and then come on safari without having read even the quick-start guide and without having used the gear. Wildlife action can happen very fast, and photographers must know their cameras and lenses if they want to respond in time and capture good images.

Secondly they should read books and interviews by professional photographers, especially books written by Freeman Patterson and David DuChemin who are both masters of photographic vision. In addition, they should try and buy site guides to the specific national parks that they will be visiting as these books will provide explicit advice and not just general photographic advice. We are not the first photographers to publish e-books specific to certain parks. For example, Arthur Morris, the world's premier bird photographer, has published some excellent site guides for the various American parks and reserves.

5. If you could give photographers just a couple of pieces of advice before booking a safari trip, what would that advice be?

To focus on what we term the "five-P's." In addition to the first two P's of Preparation and Practice, which must be done at home before coming on safari and that we discussed in the previous question, you need to have these three additional traits, making up the 5-P's:

• You must have a Purpose in mind before booking your destination. If you want to shoot as many mammals as possible, filling up your memory cards every day, then you should be going to Namibia's Etosha Park in winter. If you want to photograph birds and wildflowers, then you should be going to the Kruger Park or Kgalagadi in summer and so on. You should also try to be more of a "situation-driven" photographer as opposed to a "subject-driven" photographer--if you want to photograph a cheetah, but you come across a black-backed jackal hunting doves and the light is good, stop and photograph the jackal as you may not find the cheetahs that day.
• Nature has its own time and you will see and photograph much more if you have Patience and spend time at bird-hides or waterholes instead of looking for just a few seconds and then driving on. Take some coffee and rusks with you in the mornings or some sun-downers in the afternoons--let the action come to you, which will make sitting and waiting much more enjoyable!
• Finally, Passion will keep you motivated and disciplined in terms of the other four P's. If you are not enthusiastic about nature photography, you will tend to sleep in, miss the good light and go home with few, if any, "wow" photographs.

Thanks, Mario!

Meet Marguerite Beaty, Photographer and Teacher

Marguerite Beaty lives in Miami, Florida, where she enjoys taking photos and teaching photography classes. She has an MFA in Photography from the University of Miami, and she worked as a stockbroker in Sao Paulo, Brazil. Learn more about Marguerite at her website, Crea8fotos. She offers a variety of classes in photography as well as business classes for artists. Her classes include in-person and online options.

1. As a photographer and photography teacher, how do you find a balance between fine art photography and commercial photography?

I do not think that I ever found a good balance between the commercial photography and the fine art photography. They contradict each other in every way! The commercial photography is all about another person's vision and will be used for marketing or advertising. In other words, it will be used to sell something. The fine art is about my vision. It's about my philosophy or the way that I see things and then somehow put it all together. I was able to use my vision in some commercial photography but it was more about how to do a photo session than the actual final product.

2. Your digital mastery program looks to be very comprehensive. Do students need to have any previous experience before taking these classes, and what are some of your goals for students to achieve in this program?

The Digital Mastery Program is created for the beginner: the person who just bought a camera and has no idea which button to press. This program is also good for the person who has a good idea about photography but wants to study it in depth. There is also the part II which is great for the advanced photographer. The idea is to understand the camera very well and to take control of the picture taking by making decisions. When you shoot in the auto mode, the camera will decide everything for you and there are many techniques that will not be very successful. So it will come down to this: do you want to create your photograph, or do you want your camera to create it?

3. For students who are located outside of the Miami area, what are some online learning options you offer?

For students who are from different states and countries, I teach via Skype! I love it and it has worked quite well. I am finishing a new series of classes that will be available online. Those will be for people who prefer to learn on their own.

4. What do students learn in your business classes, and are these online or in-person classes or a combination?

The photography business classes were designed after I met several self-taught photographers who asked me to teach specific techniques and began to ask about sales and marketing. As our conversation flowed, I saw that they needed a plan and to organize themselves so that they could actually create a profit while doing what they loved.

The business class are one-on-one online (via Skype). The students will do research and will have several assignments. So this has a large component of self-learning and the advantage of a number of real-time sessions to discuss things.

5. What inspired you to start teaching, and do you feel like your teaching influences your artwork (and vice versa)?

I have always enjoyed teaching. While I was working towards my MFA in photography, I did quite a bit of teaching-assisting or adjunct teaching. It is fun to exchange ideas and to be challenged creatively. I do not think that teaching has affected my artwork. It does make me think more and do a lot more research on photography--so maybe it has influenced me. I am not sure how!

Thanks, Marguerite!