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Showing posts with label JFK. Show all posts
Showing posts with label JFK. Show all posts

Sunday, December 9, 2012

Excerpt from President Fionn by Christine Mary Flemming

Christine Mary Flemming is the author of the forthcoming novel, President Fionn. Christine has a background in journalism; she holds a degree in Art History and Philosophy and has undertaken post graduate study in Metaphysics and Political Philosophy. To learn more about her and her works of historical fiction, please see the interview with Christine which appeared on this blog in November 2012.

President Fionn (pronounced Foon) is a novel with two parts, the first taking place in Ireland starting in 1930 when the title character, Fionn Connolly, is a young man in the care of his grandfather while Fionn's own father has gone to America. The second part of the novel takes place in 1963 when Fionn is in his early 40s and President Kennedy--whom Fionn idolizes--is on a tour of Europe, including a visit to Ireland.

The follow excerpt comes from the beginning of the second half of the book.

Chapter One – Part Two – President Fionn

Fionn checked the table for the fifth time, one knife, one fork, one spoon, a glass of water approximately one inch to the right of the tip of the fork. In front of this neat little arrangement was a small white plate with one slice of white bread and butter on it which had been cut into four. Fionn smiled with a mixture of pride and relief as he went over to the pot on the stove which was bubbling cheerily and sniffed the lamb stew inside. Satisfied that it had been cooked just the way he liked it, he scooped out a bowlful and sat down at the table, the scraping sound of his spoon denting the quiet air until he had finished. Fionn leaned back contentedly and sipped his water. He was calm. The meal had turned out well, it had gone perfectly to schedule, there had been no mistakes, no delays. He had left just enough gravy to satisfy the piece of bread too, that was a bonus and couldn’t be guaranteed, and Fionn had no idea why, this was a continuing mystery, but it wasn’t something to dwell on now, not when things had gone so well.

Fionn washed up and surveyed the scene, all done, what was next on the agenda? The birds, they had to be fed. From the press, he took out a small bag of bird seed, which he carried out to the back garden. Fionn scattered the seed on to an old tea tray and placed it on the kitchen table that rested against the back wall and used to belong to his grandfather, but now served the birds.

Fionn waited patiently, it wouldn’t take long, he’d watch from the doorway, the little birds would come down soon, have a look, fly off, come back, take another look and then tuck in. It was fantastic watching them with their little feet dancing about in the seed as if they were in a musical, their little beaks bobbing up and down, keeping time. When they had finished Fionn would see them hesitate, deciding what to do next, then they were off, this way and that, anywhere they fancied, it was exhilarating to witness. They had choices, and they made them without a thought or worry, with no one to stop them, that’s what Fionn liked and even if he were to watch the birds a million times, it would never grow old or stale.

Fionn went back inside, he checked his watch, five fifteen, two hours till he had to head off to his evening job at the Tivoli Picture House. His suit was on a hanger hooked over the door that led into the hall; he would check on it ten or twenty times over the course of the next couple of hours as if the suit was prone to going off to work without him.

Fionn put the kettle on and while he waited for it to boil he listened to the radio. He let his mind drift while the smooth cultured tones of the newsreader filled him in on the events that had unfolded so far that day in Dublin. Fionn listened to intermittent words, Joseph O’Keefe, Lord Mayor of Dublin, Roches Stores, Henry Street, escalators, first in Dublin, declared them open, first to ride up them, basement, ground floor, first floor. He poked the peat in the fireplace; he intended to let it die down now, experience telling him that it would last till he left for work.

Fionn wondered what President Kennedy was doing now, right that minute; would he have had his tea? No, time was different over there, maybe he’d had his dinner. Fionn wondered what you had for your dinner when you were the President of the United States. Fionn decided he would ask him when he wrote to him next; just casual like, not straight out, Fionn didn’t want him to think he was a nosey get. He’d be crafty, say something like, ‘I had a nice piece of ham for me dinner the other day,’ then he’d probably say something back like, ‘did you now? I had a pork chop meself’ and right there Fionn would have the information he wanted.

It had been his father that had given him the address of the President; he had told him that his private letters went to the same address he used for his own letters, c/o Mrs Riley in a flat above a tailor’s shop in Brooklyn. His father had told him a lot of influential people had their mail sent there, for security reasons, which Fionn could see was sensible enough. It had all started when Fionn had found a letter in the drawer from Brendan Connolly. It had been brief, ‘Sorry, I need to go my own way, you’re better off without me, look after yourself and the children.’ which was just as well as the ink was watery so that the words were elongated, as if they had been crying, and it was difficult to read. When Fionn had written to the address, his own words had been equally brief, ‘Could you tell me the exact address of President John F. Kennedy as I want to talk to him.’ Brendan Connolly had promptly replied and signed off with, ‘Your loving father.’ Fionn had looked at these words about the same way you would examine a bus ticket as he had chosen, or been forced to, for sanity's sake, to annul the past.

Friday, November 23, 2012

Meet Christine Mary Flemming, Author

Christine Mary Flemming is a London-based author with a background as a journalist, and an education in Art History and Philosophy from the University at Reading. She is the author of two historical novels, The Hydrangea Amongst The Weeds and the forthcoming President Fionn. For more information, visit Christine's website and Facebook page.

1. How would you describe Fionn Connolly, the main character of your new novel, President Fionn?

I would say when Fionn is young, which is where we find him in part one of the book, he is a dreamer, he has a fantastic imagination and when things get tough, when his troubled family are arguing, he has a problem, or he's sad he retreats in to his mind and imagines all sorts of things, many of them very funny. In the book his hero is Tarzan, and he imagines having lots of adventures in Africa and being able to call on all the wild animals to rescue him if he gets into trouble. In the second half of the book, when he is grown up, in the 1960s, he has changed somewhat because of a childhood trauma, but the essence of who he is doesn't change, even if it is hidden deep down.

2. What did you read/study in doing your research to capture the historical details of Ireland in the 1930s-1960s, and John K. Kennedy's visit to Ireland in 1963?

I read several non-fiction, autobiographical books on what it was like to live in Dublin/Ireland in those periods. I read a lot of the newspapers, too; this is a great way to get a feel for what was going on. I also went back and read about the history of Ireland. This was useful; you don't get a handle on why people behave as they do until you know where they have come from.

There is so much stuff written about Kennedy--I had my pick. One book I bought was JFK: Day By Day which chronicles every day of his presidency. That was an eye opener, reading about how much he had to deal with on a daily basis. I also watched a lot of documentaries on Ireland and the President, his televised visit to Ireland and Berlin for instance, his many speeches and of course the circumstances surrounding his death.

3. Your previous book, The Hydrangea Amongst the Weeds, is also a historical novel. What attracts you to writing historical fiction?

Several things really. My first book is set in a town near London called Reading. It had a rich history that I could call on. Many of the men were involved in World War 1 and 2 and also it had big factories such as Huntley and Palmer, the biscuit manufacturer. In the late 1800s right through to the 1900s, life was changing rapidly, and I found a lot of information about the working class, their conditions, their relationships with the upper classes and of course the suffragette movement. It is not widely known that some working class women, often married with children, were heavily involved in that. Again, as with President Fionn, I brought fact and fiction together to make the story.

4. What are the challenges and what are the benefits for an author when it comes to finding a readership online?

I think the challenge is getting your message across, really explaining who you are and what your books are about. It should be easy in a way, but nobody has the time or wants to read a big essay, least of all me, so I get that! I think people can be put off very easily and are afraid that the books might be difficult or boring, but I'm a very straightforward person, and I think that comes across in my work. I have been lucky in that my first book as been taken up on book club circuit, so people have been able to discuss it.

The benefit of course is that you can approach a wider audience and engage with people that you would never have otherwise had the chance to reach and that's lovely.

5. How does your academic background in Art History and Philosophy inform your work as a writer?

I left school before going to college, and it was through my love of going to see art, really as a hobby, that I finally went back and did my degree part-time, when my children were at school, which was hard work and took a while but was worth it. When I'm writing, I tend to see the words and actions in my head, like a movie; studying art history helped me with that I think--plus there is a rich history around every painting and building, and it fascinates me how people lived before me.

Philosophy also comes into art, and it is all about questions, why are we here, what does it mean to be a human being, should we be allowed to do this or that, to name but a few. There is always an argument on both sides in any discussion, so I guess it makes you look at other points of view, instead of seeing things in black and white. I think this is useful as a writer. I for one don't want to judge in my books: I'm merely asking questions and observing.

Thanks, Christine!