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Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Wednesday, March 9, 2016

A Guest Post from the Irish American Young Leaders

The Irish American Young Leaders are hosting a Hall of Fame and launch party this Friday, March 11, 2016 in New York City. Learn more about the organization below and also by reading the press release linked here.

What is the Irish American Young Leaders?

The Irish American Young Leaders program was initiated by a group of young people who are deeply proud of their heritage and are interested in finding ways to be a positive influence their local communities and globally.

Founded in 2015, the Irish American Young Leaders is a non-profit organization that fosters leadership among high school students, college students, and young professionals. We believe in the power of the youth to effect positive change for themselves and their community. Leveraging local leaders and community resources, IAYL offers leadership initiatives that give high school, college students and young professionals the necessary tools and real life experiences to become strong leaders in the community. Our motto is that some future "leaders are made, not born."

The Irish American Young Leaders builds strong teams, infuses those teams with a sense of personal connection to new members, and welcomes new contributors with open arms, making everyone feel they belong and thus growing a strong and scalable community that can expand beyond the current membership base and produce new generations of competent contributors in the future. This is an important way in which we can build our shared culture, founded on a strong commitment to our values.

I Am Young Leader Ambassadors work on their own initiatives or lend the power of the I AM Young Leaders network to those initiatives already in existence. The first chapter was established in New York in September 2015 with Kiera O'Conner as the 1st President.

New Members Are Always Welcome!!! Although we are a young organization, several chapters are already in place in the tri-state area and Florida, with ambitious plans for a global network uniting our young leaders of the future. We are reaching out to all our people and the corporate sector, among other audiences, to raise awareness of our mission to help build and connect. Our website is currently under construction, but in the meantime please "LIKE" our Facebook page to keep up to date with our progress! We hope that you will also assist us by spreading the word about our program to your family, friends, and business associates around the world!

The Irish American Young Leaders Hall of Fame has been created to honor leaders who have made invaluable contributions to society and the world beyond. The Hall of Fame reinforces the message to future young leaders that they can and should strive for excellence in any endeavor of their choosing. By presenting powerful role models and teaching young people about inductees, the Hall of Fame is a source of learning, inspiration, and resources.

Everyone is invited to our exciting, fun Launch Party as we honor today's most influential leaders, the brightest leaders from NYC & beyond, so come let's party! Tickets are available on Eventbrite.

Friday, October 11, 2013

Christine Mary Flemming on the Release of Her Novel, President Fionn

Last November, I was pleased to share an interview with author Christine Mary Flemming about her experience as an author of historical fiction. Christine contacted me recently to let me know that her novel, President Fionn, has just been released and is available for Amazon Kindle.

Christine is a London-based author with a background in journalism. For more about Christine and her work, check out her website, as well as her Facebook fan page.

You can also read an excerpt from President Fionn by clicking here.

1. How many years has your new book, President Fionn, been in the making?

It's taken me nearly two years, which sounds a long time but I was working as well as writing. There was also a lot of research to do on the book as well and I wanted to get the true voices of Dubliners and that took practice.

2. What has been the response from early readers of the book?

The response has been really encouraging. I've been told it is an easy read that is thought-provoking, and I was told by one reader it was "lyrical" like one long song, which was a very interesting comment!

3. What inspired you to write President Fionn?

I have Irish ancestry and lived in Dublin when I was a child for a period, so it was a theme I wanted to explore.

4. Why did you choose Kindle/e-book format for the release of your book?

I chose Kindle because it was the quickest way of getting it out there, but it is now out in print/book form, too.

5. I read that you're currently at work on a play--have you ever thought about adapting President Fionn as a play or film?

Well, I think President Fionn would make a better film than a play, and I do have experience in this type of writing, so may give it a shot sometime.

Thanks, Christine!

Monday, December 10, 2012

Meet Anna Elizabeth McGrath, Actor

Anna Elizabeth McGrath graduated from university in 2010 and began acting professionally in Dublin, Ireland immediately after this. She started out in theatre but has moved into television and film. She loves working in TV and film, even more so than the theatre because every day you are doing something different, and it is always fun and exciting.

1. As a known theatre actress in Ireland, what has the process been like for you to transition into TV and movie work?

When it comes to the transition itself, it has been very easy and enjoyable. I love the theatre and always saw myself as a theatre actress, but there is so much film and TV work out there these days that I eventually fell into working in front of the camera, almost by accident. It turns out I absolutely love film and television; I love being in front of the camera; I love doing something different all the time. I now consider myself a film and television actress rather than a theatre actress. What is strange about being known as a theatre actress is that I still get people coming up to me on the street in Dublin trying to work out where they know me from. I have a million films running through my head where they might have seen me, and then they exclaim, "Oh! You were in Hamlet!" or "Oh, you’re the girl from Savage In Limbo!". It is funny because I would have always assumed that it would be the exact opposite, that people would always be recognized for their film work and never for their stage work.

2. What are the benefits of making short films for actors, writers, and directors?

There are many benefits to making short films. They are a great training ground for making features, especially for writers and directors. You have exactly the same scenario including all the problems and complications that go with it on a micro-scale. From an actor's point of view, doing shorts has its pros and cons. A major pro is that you are doing something different all the time. If you do a succession of shorts, you are always working on a different character, in a different scenario. The downside is that you don't get nearly as much time to work on your character as you would with a feature as the turnaround is usually pretty quick with short films.

3. Would you tell us about the three short films you've recently completed?

I wrapped on three short films recently. The first was called Revenge, which is a film about someone who suffers at the hands of their noisy neighbor in an apartment block. It is all about the revenge that she wreaks upon the noisy neighbor. It was screamingly hilarious to shoot, and I think it will be fabulous when it finally comes out. The second one I did was Capturing Beauty, which is a mobile phone short, shot entirely on Android and iPhone devices. It was about how we capture absolutely everything that goes on around us in the world with our mobile/cellular devices, perhaps at the expense of living our lives. The last one was called Lucky Strike although the name may change. This one is about two female friends. One is down and out and has just lost her job. The other one (me) buys her a scratch card--a winning scratch card. The film is about how the dynamic in the relationship changes and what the etiquette is when someone buys you a winning ticket. I loved doing all three; the comedies in particular are always a lot of fun to shoot.

4. What's your character like in the new full-length film, The Smoker and the Dame Who Wore Red Shoes?

I play the lead villain in The Smoker and the Dame Who Wore Red Shoes. She was described by my director as a "replicant-like, humanoid creature." She is beautiful to the point of perfection, beautiful in a very plastic way. She is not a human being; she doesn’t experience emotion in the same way you would expect a human being to experience emotion. It's there, but emotion is something to be controlled and used. She is intent on destroying the protagonist of the film, but the further along the protagonist gets to his goal, the more her ability to control her emotional center starts to fail. It was a very different part to play. I often get cast as a villain, but I've never filmed anything like this before. I've always had a very human core to my character despite all the flaws. My director told me to take her up to 110%, and if it was over the top, he would scale me back. I just let it all out: I was worried it would be over the top, but he didn't need to scale me back. I loved it; it was such a different experience playing her.

5. What are you currently working on, and what are your goals as an actor for 2013 and beyond?

At the moment I am working on a script called The Burning of Bridget Cleary about a woman from County Tipperary in Ireland who was burnt alive by her husband in 1895 as he suspected that she was a faerie changeling. That is, he suspected that the faeries had stolen his wife and left a faerie in her place. It is a true story and absolutely blood-curdling. I can't wait to shoot it. I've also just been sent a script about an oppressed woman from the 60s in Ireland, also based on a true story. It's amazing how much society can screw people up. I can't really say anything more about it yet until it gets greenlighted, but I would die to play the role. So fingers crossed!

Thanks, Anna!

Sunday, December 9, 2012

Excerpt from President Fionn by Christine Mary Flemming

Christine Mary Flemming is the author of the forthcoming novel, President Fionn. Christine has a background in journalism; she holds a degree in Art History and Philosophy and has undertaken post graduate study in Metaphysics and Political Philosophy. To learn more about her and her works of historical fiction, please see the interview with Christine which appeared on this blog in November 2012.

President Fionn (pronounced Foon) is a novel with two parts, the first taking place in Ireland starting in 1930 when the title character, Fionn Connolly, is a young man in the care of his grandfather while Fionn's own father has gone to America. The second part of the novel takes place in 1963 when Fionn is in his early 40s and President Kennedy--whom Fionn idolizes--is on a tour of Europe, including a visit to Ireland.

The follow excerpt comes from the beginning of the second half of the book.

Chapter One – Part Two – President Fionn

Fionn checked the table for the fifth time, one knife, one fork, one spoon, a glass of water approximately one inch to the right of the tip of the fork. In front of this neat little arrangement was a small white plate with one slice of white bread and butter on it which had been cut into four. Fionn smiled with a mixture of pride and relief as he went over to the pot on the stove which was bubbling cheerily and sniffed the lamb stew inside. Satisfied that it had been cooked just the way he liked it, he scooped out a bowlful and sat down at the table, the scraping sound of his spoon denting the quiet air until he had finished. Fionn leaned back contentedly and sipped his water. He was calm. The meal had turned out well, it had gone perfectly to schedule, there had been no mistakes, no delays. He had left just enough gravy to satisfy the piece of bread too, that was a bonus and couldn’t be guaranteed, and Fionn had no idea why, this was a continuing mystery, but it wasn’t something to dwell on now, not when things had gone so well.

Fionn washed up and surveyed the scene, all done, what was next on the agenda? The birds, they had to be fed. From the press, he took out a small bag of bird seed, which he carried out to the back garden. Fionn scattered the seed on to an old tea tray and placed it on the kitchen table that rested against the back wall and used to belong to his grandfather, but now served the birds.

Fionn waited patiently, it wouldn’t take long, he’d watch from the doorway, the little birds would come down soon, have a look, fly off, come back, take another look and then tuck in. It was fantastic watching them with their little feet dancing about in the seed as if they were in a musical, their little beaks bobbing up and down, keeping time. When they had finished Fionn would see them hesitate, deciding what to do next, then they were off, this way and that, anywhere they fancied, it was exhilarating to witness. They had choices, and they made them without a thought or worry, with no one to stop them, that’s what Fionn liked and even if he were to watch the birds a million times, it would never grow old or stale.

Fionn went back inside, he checked his watch, five fifteen, two hours till he had to head off to his evening job at the Tivoli Picture House. His suit was on a hanger hooked over the door that led into the hall; he would check on it ten or twenty times over the course of the next couple of hours as if the suit was prone to going off to work without him.

Fionn put the kettle on and while he waited for it to boil he listened to the radio. He let his mind drift while the smooth cultured tones of the newsreader filled him in on the events that had unfolded so far that day in Dublin. Fionn listened to intermittent words, Joseph O’Keefe, Lord Mayor of Dublin, Roches Stores, Henry Street, escalators, first in Dublin, declared them open, first to ride up them, basement, ground floor, first floor. He poked the peat in the fireplace; he intended to let it die down now, experience telling him that it would last till he left for work.

Fionn wondered what President Kennedy was doing now, right that minute; would he have had his tea? No, time was different over there, maybe he’d had his dinner. Fionn wondered what you had for your dinner when you were the President of the United States. Fionn decided he would ask him when he wrote to him next; just casual like, not straight out, Fionn didn’t want him to think he was a nosey get. He’d be crafty, say something like, ‘I had a nice piece of ham for me dinner the other day,’ then he’d probably say something back like, ‘did you now? I had a pork chop meself’ and right there Fionn would have the information he wanted.

It had been his father that had given him the address of the President; he had told him that his private letters went to the same address he used for his own letters, c/o Mrs Riley in a flat above a tailor’s shop in Brooklyn. His father had told him a lot of influential people had their mail sent there, for security reasons, which Fionn could see was sensible enough. It had all started when Fionn had found a letter in the drawer from Brendan Connolly. It had been brief, ‘Sorry, I need to go my own way, you’re better off without me, look after yourself and the children.’ which was just as well as the ink was watery so that the words were elongated, as if they had been crying, and it was difficult to read. When Fionn had written to the address, his own words had been equally brief, ‘Could you tell me the exact address of President John F. Kennedy as I want to talk to him.’ Brendan Connolly had promptly replied and signed off with, ‘Your loving father.’ Fionn had looked at these words about the same way you would examine a bus ticket as he had chosen, or been forced to, for sanity's sake, to annul the past.

Friday, November 23, 2012

Meet Christine Mary Flemming, Author

Christine Mary Flemming is a London-based author with a background as a journalist, and an education in Art History and Philosophy from the University at Reading. She is the author of two historical novels, The Hydrangea Amongst The Weeds and the forthcoming President Fionn. For more information, visit Christine's website and Facebook page.

1. How would you describe Fionn Connolly, the main character of your new novel, President Fionn?

I would say when Fionn is young, which is where we find him in part one of the book, he is a dreamer, he has a fantastic imagination and when things get tough, when his troubled family are arguing, he has a problem, or he's sad he retreats in to his mind and imagines all sorts of things, many of them very funny. In the book his hero is Tarzan, and he imagines having lots of adventures in Africa and being able to call on all the wild animals to rescue him if he gets into trouble. In the second half of the book, when he is grown up, in the 1960s, he has changed somewhat because of a childhood trauma, but the essence of who he is doesn't change, even if it is hidden deep down.

2. What did you read/study in doing your research to capture the historical details of Ireland in the 1930s-1960s, and John K. Kennedy's visit to Ireland in 1963?

I read several non-fiction, autobiographical books on what it was like to live in Dublin/Ireland in those periods. I read a lot of the newspapers, too; this is a great way to get a feel for what was going on. I also went back and read about the history of Ireland. This was useful; you don't get a handle on why people behave as they do until you know where they have come from.

There is so much stuff written about Kennedy--I had my pick. One book I bought was JFK: Day By Day which chronicles every day of his presidency. That was an eye opener, reading about how much he had to deal with on a daily basis. I also watched a lot of documentaries on Ireland and the President, his televised visit to Ireland and Berlin for instance, his many speeches and of course the circumstances surrounding his death.

3. Your previous book, The Hydrangea Amongst the Weeds, is also a historical novel. What attracts you to writing historical fiction?

Several things really. My first book is set in a town near London called Reading. It had a rich history that I could call on. Many of the men were involved in World War 1 and 2 and also it had big factories such as Huntley and Palmer, the biscuit manufacturer. In the late 1800s right through to the 1900s, life was changing rapidly, and I found a lot of information about the working class, their conditions, their relationships with the upper classes and of course the suffragette movement. It is not widely known that some working class women, often married with children, were heavily involved in that. Again, as with President Fionn, I brought fact and fiction together to make the story.

4. What are the challenges and what are the benefits for an author when it comes to finding a readership online?

I think the challenge is getting your message across, really explaining who you are and what your books are about. It should be easy in a way, but nobody has the time or wants to read a big essay, least of all me, so I get that! I think people can be put off very easily and are afraid that the books might be difficult or boring, but I'm a very straightforward person, and I think that comes across in my work. I have been lucky in that my first book as been taken up on book club circuit, so people have been able to discuss it.

The benefit of course is that you can approach a wider audience and engage with people that you would never have otherwise had the chance to reach and that's lovely.

5. How does your academic background in Art History and Philosophy inform your work as a writer?

I left school before going to college, and it was through my love of going to see art, really as a hobby, that I finally went back and did my degree part-time, when my children were at school, which was hard work and took a while but was worth it. When I'm writing, I tend to see the words and actions in my head, like a movie; studying art history helped me with that I think--plus there is a rich history around every painting and building, and it fascinates me how people lived before me.

Philosophy also comes into art, and it is all about questions, why are we here, what does it mean to be a human being, should we be allowed to do this or that, to name but a few. There is always an argument on both sides in any discussion, so I guess it makes you look at other points of view, instead of seeing things in black and white. I think this is useful as a writer. I for one don't want to judge in my books: I'm merely asking questions and observing.

Thanks, Christine!